Every mineral we work with is sourced from specific alpine deposits between 1,400 and 2,800 meters. The crystalline structures formed at altitude under extreme pressure produce optical properties unavailable in commercially mined gemstones.
We never fight the crystal's natural geometry. Each setting is designed around what the mineral reveals under magnification — the facets follow the stone's internal lattice, not a predetermined template. No two pieces can ever be identical.
Every Crestille piece ships with a geological certificate detailing the mineral's exact origin, formation depth, and spectroscopic analysis. The story of the crystal is as important as the setting that holds it.
2,800m · Beryl Family · Pendant
1,900m · Tourmaline · Ring
2,200m · Smoky Quartz · Necklace
1,600m · Volcanic Obsidian · Bracelet
The Crestille atelier occupies a converted 19th-century mineral assay building in Chamonix at 1,800 meters. The stone walls and mountain light create conditions that allow the jeweler to see exactly what the collector will — the play of natural alpine light on the mineral surface.
All setting work is done under 10x magnification. Prong geometry is calculated against the crystal's natural cleavage planes to ensure the stone is never under structural stress.
We prospect specific alpine veins each season, working with geological maps that have been refined over two decades. Raw crystals are selected for optical clarity, formation geometry, and structural integrity — discarding over 80% of what we find.
Each selected mineral is subjected to full spectroscopic and refractive index analysis. This data forms the basis of the provenance certificate and informs the setting design — particularly regarding which faces of the crystal should be exposed for maximum optical effect.
The setting geometry is drawn specifically for the individual stone — we do not use templates. Precious metal choice (18k white gold, rose gold, or platinum) is determined by the mineral's color frequency to maximize visual contrast.
Setting takes 20–60 hours per piece under 10x magnification. Prong positions are calculated to align with the crystal's cleavage planes, distributing stress evenly and allowing maximum light transmission through the stone's natural geometry.
Every piece ships with a complete geological and craft certificate: mineral origin coordinates, formation depth, spectroscopic data, setting metal specifications, and the maker's signature. The certificate is as irreplaceable as the piece itself.
The first Crestille piece — a Mont Blanc aquamarine set in 18k white gold — sells to a private collector within 48 hours of completion.
Completion of the first comprehensive spectroscopic archive of Chamonix-area mineral deposits, referenced by subsequent geological research.
Receives the Salon de Bijoux d'Exception award for mineralogical jewelry, the first alpine atelier to win in the award's history.
Three Crestille pieces enter the permanent collection of the Musée National des Arts Décoratifs, Paris — recognition as significant objects of craft.
A commission begins with a mineral. We discuss which stone family interests you — aquamarine, tourmaline, quartz, obsidian — and what optical character you are drawn to. Then we prospect specifically for your piece.
The process takes between 4 and 12 months from commission confirmation to delivery. We photograph every stage and send updates as the piece develops.