The Loom School
Thread by Thread, Story by Story. Mastering the ancient arts of loom weaving, natural dye and heritage textile traditions.
Weaving begins in the warp — the invisible architecture that holds everything together. We teach structure, sett, tie-up and threading with rigorous attention, forming the foundation for all creative work.
Before synthetic pigments, all colour came from root, bark, berry and insect. We preserve and practise plant-based dye traditions from indigenous communities across Mesoamerica and Central Asia.
Textiles are the oldest archive. Each pattern holds genealogy, ceremony, cosmology and resistance. Our ethnotextile studies place technical skill within its full cultural and historical context.
Learn to dress a loom from scratch — warping, threading, tie-up and treadling. Students produce four sampler cloths demonstrating plain weave, twill, satin and simple pattern.
An intensive exploration of plant-based colour — mordanting, substantive dyes, extraction methods and resist techniques. Students build a personal dye book across ten sessions in the dyehouse.
The most demanding programme we offer: the full study of tapestry weaving in the Gobelin and Navajo traditions, from cartoon preparation through narrative image construction in wool and silk.
A six-month immersive residency for established textile artists seeking to deepen their practice under the daily mentorship of a senior Loom School master weaver in their chosen tradition.
Born in Teotitlán del Valle, Oaxaca, into a family of Zapotec weavers, Catalina Morales spent her childhood at the loom before leaving to study ethnotextiles at the Universidad Nacional Autónoma de México. She returned with a conviction: that weaving is not craft but philosophy, and that the loom encodes the entire logic of the universe — warp and weft, tension and release, pattern and ground.
Third-generation Zapotec weaver in the cochineal tradition
UNESCO Living Human Treasure designation, 2011
Author of The Woven World: Textile as Memory (2018)
Residencies in Japan, Morocco, India and Guatemala
Before touching the loom, students must know the materials — wool, cotton, silk, linen, bast fibres, and the hand-spun traditions of each. Yarn weight, twist, and fibre behaviour determine every subsequent choice.
Week 1–2The warp is the skeleton. Students learn back-to-front and front-to-back warping methods, sett calculation, threading drafts and tie-up patterns for four-shaft looms in multiple weave structures.
Week 3–5Plain weave, twill, satin, overshot, Summer and Winter, double weave — each structure creates a distinct cloth with its own drape, texture and symbolic vocabulary, explored through focused sampling.
Week 6–10Students enter the dyehouse — mordanting fibre, preparing plant extracts, building a dye notebook of sustainable colour relationships that will define their personal palette for years to come.
Week 11–16The culminating project brings technique and intention together. Each student weaves an original cloth — a full statement of their voice, their learning, and their relationship to the tradition.
Week 17–20Elena Morales opens a teaching studio in a converted colonial house in Oaxaca City, gathering twelve Zapotec and Mixtec weavers to share techniques across communities.
Alarmed by the disappearance of cochineal and indigo knowledge, the school launches a formal natural dye curriculum — one of the first structured programmes of its kind in the Americas.
Exchange residencies with Japan, Morocco and India begin under the leadership of Catalina Morales, bringing master weavers from three continents to teach at the school each year.
Director Catalina Morales receives the UNESCO Living Human Treasure designation for her work preserving Zapotec weaving traditions and transmitting them to new generations.
The school opens a public archive of over 1,200 historical samples, pattern drafts and dye records — the largest freely accessible textile research collection in Latin America.
We accept students year-round for Foundation courses and once annually for Heritage Tapestry and Residency. Write to us — we respond to every message personally.